It’s reasonable to guess that Simpson has internalized the narrative of the male hero who protects the more fragile women that dominates media he tells Trish that, even as a child, many of his roleplay scenarios involved a “male” toy rescuing “female” toys. After all, how many men in romantic comedies “fall in love” with women they barely know, do grand romantic gestures that are borderline stalker-y at best, then end up with the object of their affection regardless of some preexisting monogamous relationship she has? While we may balk at the implication that because Jessica does not return Kilgrave’s affections, she deserves to die, there’s a whole Tumblr (content warning) that compiles stories of women violently attacked for saying no. After all, he has been Nice!”Ī lot has been said about entitlement at play here-to believe that doing certain actions means you deserve a particular response regardless of other factors is obviously not okay, but it’s a common sentiment expressed by men who want women, and it’s historically been validated by social custom and media. When a Nice Guy is romantically rejected by a woman he wants, he lashes out at her, wondering why won’t go out with him. “he sort of Guy who has declared himself to be Nice, and thus deserving of positive (usually sexual) attention from the female of his choice, upon whom he has often projected an elaborate fantasy of perfection and willingness that rarely has anything to do with the subject’s actual feelings or desires. He’s entitled to her, and she is a villain for calling their time together anything less than consensual. He bought Jessica dinner, and she seemed to enjoy having sex with him, so there’s no way he could have raped her. He’s just a nice guy going to great lengths to woo women-right? And it works! Women smile in his presence. The fact that Jessica is attracted to Luke Cage while he’s under Kilgrave’s control but not to Kilgrave himself is clearly an error on her part rather than a well-identified difference in the fact that Cage does an excellent job of respecting her autonomy while Kilgrave is bent on receiving her affection regardless of her feelings and, in its absence, tries to have her killed. He should be applauded for going to the trouble of buying Jessica’s childhood home. In his world, the effort he put into setting up another meeting with Jessica to declare his love for her-a meeting that only came to pass after stalking, committing murder, and getting an entire station of police officers to aim guns at each other-should be recognized, and Jessica is at fault for not acknowledging how perfect he is for her. From his perspective, it’s clear that he’s a romantic hero. Why would I? I love you,“ says Jessica Jones villain Kilgrave.
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